Yulia Karra
July 2, Updated July 24

In the early 1950s, a group of Israeli mothers who lost their sons in the 1948 War of Independence looked for a building to house their newly founded organization commemorating their children. 

That organization would later become Yad Labanim, while the modest building that initially housed it is now The Petach Tikva Museum of Art

This month, the museum opened a special exhibition that tells the story of the Gaza border region of the Western Negev before and after the devastating and deadly October 7 attacks by Hamas terrorists from Gaza.

Album of the South

Initiated by Prof. Dana Arieli, the “Album of the South” project presents works of 107 photographers, depicting a brief history of the Western Negev while taking into account the developments of the past eight months.

The dining hall in Kibbutz Be’eri, where 130 people died on October 7, in 2020. Photo by Omri Keren Lapidot
The dining hall in Kibbutz Be’eri, where 130 people died on October 7, in 2020. Photo by Omri Keren Lapidot

“It was my version of social action and volunteering,” she told reporters at the press opening of the exhibition.

Arieli is a photographer and researcher, as well as the dean of the faculty of design at the Holon Institute of Technology. She studies the interrelations between art and politics, primarily in totalitarian political systems. 

The 60-year-old professor said she was taking photos at the memorial site of the Nazi massacre in Ukraine’s Babi Yar when she heard of the Hamas attack — the biggest single-day slaughter of Jews since the Holocaust.

Prof. Dana Arieli faces reporters at the opening of the exhibition. Photo by Yulia Karra
Prof. Dana Arieli faces reporters at the opening of the exhibition. Photo by Yulia Karra

Once back in Israel, Arieli published a Facebook post full of photographs of the Western Negev, hoping to provide some comfort. 

In the next 100 days, she was flooded with images of the kibbutzim in the region before and after the attacks, taken by professionals as well as ordinary people. 

Some images were submitted by survivors of the October 7 attacks, who took photos along their escape route. 

Soldiers resting at an Alonit gas station on the night between October 7 and October 8. Photo by Batia Holin, survivor of the massacre at Kibbutz Kfar Aza
Soldiers resting at an Alonit gas station on the night between October 7 and October 8. Photo by Batia Holin, survivor of the massacre at Kibbutz Kfar Aza

The project caught the attention of Chief Curator at Petach Tikva Museum of Art Irena Gordon. Gordon and Arieli spent months setting up the exhibition. They also published a book containing all the photographs included in the project.

Unsettling

A house burned down by terrorists on October 7. Photo by Amir Goldshtein
A house burned down by terrorists on October 7. Photo by Amir Goldshtein

Although the curators omitted images that were overtly bloody, the juxtaposition of photographs of burned homes alongside the pre-war snaps of scenic, green fields makes an unsettling statement. 

Arieli drew the attention of reporters at the press tour to an image of a ransacked, blood-stained room with sunlight beaming through the window.

“That’s the house of Rachel Edri from Ofakim,” she explained. In that house, Rachel and her husband David were held hostage for hours by five Hamas terrorists on October 7. Rachel became famous for having fed the terrorists her cookies in an effort to keep them calm.

The house of Rachel Edri from Ofakim. Photo by Dana Arieli
The house of Rachel Edri from Ofakim. Photo by Dana Arieli

The couple survived, but David passed away months later after developing severe health problems following the ordeal. 

“Fifty people were killed by terrorists on the street where the house is located,” Arieli noted. 

Heart-wrenching image

Among the guests of honor of the press tour was Israeli freelance photojournalist Avishag Shaar-Yashuv

The photo she submitted for the exhibition had graced the front page of The New York Times shortly after the attacks.

People mourn at the funeral of Aviv, Livnat, Rotem, Yonatan and Iftach Kutz, who were murdered in Kfar Aza. Avishag Shaar-Yashuv for The New York Times
People mourn at the funeral of Aviv, Livnat, Rotem, Yonatan and Iftach Kutz, who were murdered in Kfar Aza. Avishag Shaar-Yashuv for The New York Times

The heart-wrenching image depicts the funeral of the five members of the Kutz family, who were murdered in their home in Kibbutz Kfar Aza.

“Aviv and Livnat, the parents, were my friends. Over the holidays, we said that once they end, I’ll come for a lecture at Livnat’s studio. And now that’s a promise I won’t be able to keep,” Shaar-Yashuv told ISRAEL21c back in December.

Avishag Shaar-Yashuv talks to reporters at the opening of the exhibition. Photo by Yulia Karra
Avishag Shaar-Yashuv talks to reporters at the opening of the exhibition. Photo by Yulia Karra

The 33-year-old photographer told reporters that she always keeps her “poker face” when taking pictures. But, at that funeral, she allowed herself to cry. 

Resilience through culture

Despite the emotional impact of attending such an event, you can’t help but wonder whether the timing is right. 

The war in Gaza is still ongoing and an estimated 116 of the more than 240 hostages kidnapped by Hamas on October 7 remain in captivity. 

Funeral of Staff Sgt. Aschalwu Sama, killed on October 7. Photo by Tomer Appelbaum
Funeral of Staff Sgt. Aschalwu Sama, killed on October 7. Photo by Tomer Appelbaum

Arieli says that an exhibition of this type would be a lot less powerful if it were to be staged years from now, rather than in the moment. 

“The bridge between culture and social resilience, especially during traumatic events, is as necessary as oxygen for us right now,” Arieli tells ISRAEL21c

“This exhibition is a snapshot of the situation at this moment, a step above the news channels and TikTok.”

Buildings burned down by terrorists on October 7. Photo by Oren Ziv
Buildings burned down by terrorists on October 7. Photo by Oren Ziv

She has already started working on the “Album of the North,” referring to Israel edging closer to a war with the Lebanese terror group Hezbollah on its northern border. 

“Who knows — maybe in a year’s time we’ll be here opening an exhibition about what happened to the north,” she concludes. 

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